

THERE’S A QUIET CONFIDENCE to Dior’s Fall 2025 collection — a sense of purpose that doesn’t need to announce itself. This season, Maria Grazia Chiuri leans into restraint, offering a quietly powerful reflection on what it means to dress with intention. Set in Kyoto, the show unfolds like a meditation — not just on silhouettes or textiles, but on the space between them. That in-between — where structure softens, past meets present, and the body isn’t just dressed but understood — becomes the heart of the collection.
Rather than referencing Japanese design through motif or embellishment, Chiuri works with form — clean, fluid, and deeply considered. One of the starting points is a kimono-inspired coat designed by Monsieur Dior in 1957, created to be worn over a kimono without disrupting its shape. Chiuri picks up that thread and expands it, reworking the idea through a contemporary lens. Her silhouettes — wide, enveloping, considered — echo the architecture of Japanese garments, but never imitate them.
From there, the collection weaves through time and memory — from Marc Bohan’s 1971 Tokyo presentation to Chiuri’s own visit to the Love Fashion: In Search of Myself exhibition in Kyoto. What emerges is not a tribute, nor an imitation, but an evolution: a quiet study in how garments can hold space for identity, movement, and emotion.
Related: Livestream Dior’s fall 2025 runway show from Kyoto here
Related: It’s official: Jonathan Anderson is confirmed at Dior Men


On the runway, the garments felt almost meditative. Coats and jackets — some belted with obi-like wraps — fell in soft, sculptural lines. Skirts and trousers were wide, weighty, and grounded — designed to flow, not flare. Then came the details: golden embroidery flickered across inky silks, and florals emerged not as ornamental flourishes, but as living forms. Romantic, certainly — but never sentimental. Less “geisha fantasy,” more a study in silhouette, stillness, and the emotional intelligence of dress.
Perhaps Chiuri’s most compelling gesture this season is her refusal to overstate. These are not costumes, nor are they diluted references. They are garments that engage with history while making space for evolution — pieces that seem to carry emotion in their seams. At Dior, the kimono is no longer a symbol, but a system: one that frames the body without confining it, and honours both the wearer and the space they inhabit.
Fall 2025 invites a slower kind of appreciation — one rooted in nuance, intention, and quiet strength. It’s in the subtle tension between past and present, softness and structure, that the collection finds its power.
Explore a selection of standout looks from the runway below, and watch the full show via the livestream link here.




2025-04-22 18:56:00
#Christian #Diors #Womens #Fall #Show
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